Few words about myslef The story starts in Zagreb... 
Few words about myself The story starts in Zagreb... One of the many aspects of music that I have always found fulfilling relates to how influences have no cultural boundaries. While traditional music that holds some merit toward a country’s cultural values and historical contexts should be universally embraced, the fact that music has become a stylistic melting pot of sorts should convince cynics that musicians will never simply run out of ideas.
Though the technological advances in worldwide communication are contributing to the rapid withdrawal of exclusively cultural lifestyles and beliefs, the advances in intercultural competence are becoming especially prevalent, thanks in part to the allocation of opinions regarding the developments of creating and listening to music. In this regard, cultural relativism seems to be becoming more abundant, at least in the sense that musical styles are overlapping more than ever. Virtually every prominent international artist is now at the fingertips of anyone with Internet access, as are many unrecognizable ones that would have been excited to merely get a mention in their own country, nonetheless one that is thousands of miles away.
Over the past few years, I have done my best in exposing a wide variety of artists from all over the world, with one reason being that I feel everyone should be exposed to quality music regardless of its geographical origins. Another reason, though, is also rooted in the fact that I personally find artists who successfully mix both cultural and stylistic preferences to be genuinely fascinating.
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It always starts with: What does your name mean? Did you get it from 'Lost'?
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